︎
“Enactment” is an Audovisual performance on real time, that combines sonic Interactions, instrument manipulation and  in a digital environment. Based on “Cognitive Enactment” concept by Chris Salter, used to describe the ecological relation between user, interface and environment.

Enactment @ Oksasenkatu 11. 23.01.2016 from Juan Duarte Regino on Vimeo.






Piksel16. Zero Level: Bergen, Norway

Enactment @Volta. Centro Cultural España - México. Junio 2017.


Enactment @IAMAS from Juan Duarte Regino on Vimeo.
Sonic Drawings is a performance which explores sound and visual generation through an interface which enables real time sonification of drawings on a paper canvas with graphite pencils and conductive ink circuits. This approach also allows the introduction of a series of open computer vision techniques to augment the experience of traditional drawing through new media technologies. Finally we expect to enable users to experience an intuitive interface that responds according to drawing interaction.

Sonic Drawings . Live @ ICLI 2014 from Juan Duarte Regino on Vimeo.





Pictures from Winter Demo day. Media Lab Helsinki. December 2014.

Sonic Interventionism from Juan Duarte Regino on Vimeo.


This documentation was carried during a workshop by Mad Bech Paluszewski at MOKS, in Estonia, it was  aimed for sound intervention upon surfaces and structures. This way, it was possible to work on public and leftover spaces surrounding Moks.

The outcome brought a set of temporary sound installations for exploration with own prepared materials, prepared as hit-and-run performances and concerts.


Pictures by John Grznich

Location: Various sites in the areas in and around the village of Mooste in public space.

The purpose of Sonic Interventionism is about bending the acoustic and semiotic qualities of objects in public space. That is obtained by turning objects and structures into sounding units to be used actively to enhance a sonic environment within public space: to produce a series of ad hoc compositions based on acoustic properties found in abandoned spaces.

In the words of Mads, using acoustics as a physical, tactile and vibrational energy to adapt and distort the significance of everyday objects and structures in our surroundings. The approach can be described as a mix between street art interventionism, field recording, and a somewhat nerdish sound exploration.
Exploration on live analysis and sonification from images captured from the Sun. 3 cycles aims to create an interactive audio visual performance.

3 cycles from Juan Duarte Regino on Vimeo.



Images captured by Solar Dynamics Observatory (SDO) of NASA over 3 months (about 3 solar cycles) are analyzed with several computer vision algorithms and fed into a sound generation software/hardware to create an interactive sonification and visualization of the process and turned into a performance.

Sonification part strives to present sonic information through digital and analog processes of synthesis that interact and modify each other. The data is traslated into table of values for FM synthesizers and Voltage Control for a Modular Synth that depend on the data presented on the visuals.

Visuals and analysis: Muharrem Yildirim
Sound: Juan Duarte

Project developed during CTM's Music Makers Hacklab
2015.

Documentary MusicMakers Hacklab at CTM Festival 2015 from CDM on Vimeo.


Blog mentions:
CTM15 MUSICMAKERS HACKLAB: BIOLOGICAL AND ELECTRONIC STIMULATION

Create Digital Music Blog

Dry Magazine

Resident Advisor




Photos by Gösta Wellmer



Pictures by Jonas Tölle





Pictures by DISK CTM