Juan Duarte Regino

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	<title>Juan Duarte Regino</title>
	<link>https://juanduarteregino.com</link>
	<description>Juan Duarte Regino</description>
	<pubDate>Fri, 20 Mar 2026 11:07:41 +0000</pubDate>
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		<title>SmokingMirror</title>
				
		<link>https://juanduarteregino.com/SmokingMirror</link>

		<pubDate>Fri, 20 Mar 2026 11:07:41 +0000</pubDate>

		<dc:creator>Juan Duarte Regino</dc:creator>

		<guid isPermaLink="true">https://juanduarteregino.com/SmokingMirror</guid>

		<description>Smoking Mirror

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Smoking Mirror (Tezcatlipoca) is a media performance that explores the relationship between weather data and divinatory rituals, drawing inspiration from weather mythology of Aztec culture. At its heart, the performance explores how ancient practices of interpreting atmospheric phenomena can&#38;nbsp;be reimagined through contemporary technology, creating a bridge between the past and the present. By incorporating obsidian elements and copper traces as tangible and interactive materials, the presentation transforms real-time weather dynamics into immersive, multi-sensory soundscapes.

Presented in Work in Progress (Mexico City), Pact Zollverein (Essen), Umede (Vilnius), Pixxelpoint (Nova Gorica), BEK (Bergen), Aani Aalto (Helsinki).
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		<title>Resonant Wind</title>
				
		<link>https://juanduarteregino.com/Resonant-Wind</link>

		<pubDate>Mon, 23 Jun 2025 14:15:46 +0000</pubDate>

		<dc:creator>Juan Duarte Regino</dc:creator>

		<guid isPermaLink="true">https://juanduarteregino.com/Resonant-Wind</guid>

		<description>Interactive Sound Installation&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/ff7e13d5d8a5036a7e6f1be32bd791401cde86f831a7c29f971e549598327321/20250602_makslinieku_ekspedicija_096.jpg" data-mid="235005519" border="0"  src="https://freight.cargo.site/w/1000/i/ff7e13d5d8a5036a7e6f1be32bd791401cde86f831a7c29f971e549598327321/20250602_makslinieku_ekspedicija_096.jpg" /&#62;
This solar-powered, autonomous sound device is designed to enter into dialogue with the shifting windscapes of Karosta Beach. At its heart is an anemometer—a rotating helix traditionally used to measure wind speed—which becomes both sensor and instrument. Connected to a microcontroller, it translates the invisible dynamics of the wind into evolving sonic frequencies. These sounds blend with the ambient rhythms of the site, composing a living score that shifts with the weather and time of day. Rather than imposing upon the landscape, the device seeks to resonate with it, attuning itself to the presence of space, the atmospheric flux, and the more-than-human life that inhabits the coast. It is not merely a tool for measurement, but a poetic interface between environment and machine, wind and waveform.

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		<title>Anemograph</title>
				
		<link>https://juanduarteregino.com/Anemograph</link>

		<pubDate>Wed, 25 Jun 2025 08:25:29 +0000</pubDate>

		<dc:creator>Juan Duarte Regino</dc:creator>

		<guid isPermaLink="true">https://juanduarteregino.com/Anemograph</guid>

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As part of a live performance, I use weather data to create audiovisual representations that lead to an attunement to the environment through sensorial explorations that combine different atmospheric dynamics from the site where the performance takes place.

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AaniAalto - Sound Art Festival. Helsinki, May 2025


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Ears to the Ground - BEK, Bergen 2025
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</description>
		
	</item>
		
		
	<item>
		<title>Resonant Atmospheres (Augury)</title>
				
		<link>https://juanduarteregino.com/Resonant-Atmospheres-Augury</link>

		<pubDate>Mon, 06 Jan 2025 10:25:21 +0000</pubDate>

		<dc:creator>Juan Duarte Regino</dc:creator>

		<guid isPermaLink="true">https://juanduarteregino.com/Resonant-Atmospheres-Augury</guid>

		<description>Resonant Atmospheres (Augury)

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Presented at the Klaipeda Culture Communication Centre
This installation delves into the interplay between environmental sensor stations and the ancient divinatory practice of Augury, where the behavior of birds was closely observed to predict seasonal changes. Inspired by this tradition, the installation employs cutting-edge sensor technology to create soundscapes that resonate with the atmosphere, translating data and signals from the surrounding weather into immersive auditory experiences. Using meteorological sensors as instruments, the installation captures the subtle dynamics of wind motion, air pressure, and light, crafting sound and light compositions that transcend the limits of human perception and deepen our connection to the natural environment.


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This exhibition was supported by Taike Arts Promotion Centre Finland, Frame Finland, Nordic Culture Point, and Culture Moves Europe.
Light Design: Anton Filatov

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</description>
		
	</item>
		
		
	<item>
		<title>Augury</title>
				
		<link>https://juanduarteregino.com/Augury</link>

		<pubDate>Tue, 27 Jun 2023 18:09:08 +0000</pubDate>

		<dc:creator>Juan Duarte Regino</dc:creator>

		<guid isPermaLink="true">https://juanduarteregino.com/Augury</guid>

		<description>

To sense atmospheric processes we can use our own body and technologies to translate their energies into human perception. This exhibition presents experiments with modern and ancient practices to sense and predict atmospheric processes, to perceive the intangible and contingent properties of the surrounding air.

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Augury is the name of an ancient practice of divination based on observing birds' behavior to predict future events and make decisions. Their agency as a species with airborne capacity has been regarded in the past as messengers from beyond. Augury is used as the title of this media installation, which is inspired by some ancient methods for sensing and predicting the weather.Hybrid Listening is a proposal to combine meteorological knowledge that reassures human sentience, and implement technical cognition systems for attuning and listening to our atmosphere. From ancient meteorology this exhibition looks into two cases of technologies for sensing and predicting atmospheric processes from a deep time perspective: The parapegmata and the obsidian mirror.

The parapegmata, an inscription surface to register and predict weather in relation to astronomical events, was used across ancient Greek-Roman cities to represent time cycles as sequences and combinatory events to forecast the weather. It was used to follow and guide the weather events, winds, festivals, appearances of birds, and the rising of rivers. In that sense, animal behavior and other natural phenomena were observed to indicate specific weather conditions linked to the movement of planets and stars.The obsidian stones and mirror correspond to the Aztec myth of Tezcatlipoca (which means “smoking mirror”) a deity who was associated with the wind, the unconscious, and the art of divination. Looking and touching this obsidian mirror and stones is a way to perceive what is beyond our human capacities. In this case, to extend our listening beyond our body and through the sensing networks implemented in this installation.
&#60;img width="4432" height="2955" width_o="4432" height_o="2955" data-src="https://freight.cargo.site/t/original/i/b28ecfa293b653ce98e8848e0ca5d941e886bd77dd021b4b34eea86c5f81cde2/jr_05569_52936768441_o.jpg" data-mid="183466907" border="0"  src="https://freight.cargo.site/w/1000/i/b28ecfa293b653ce98e8848e0ca5d941e886bd77dd021b4b34eea86c5f81cde2/jr_05569_52936768441_o.jpg" /&#62;
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&#60;img width="4135" height="2757" width_o="4135" height_o="2757" data-src="https://freight.cargo.site/t/original/i/e0c8372b4a9fca9fefb75123836239cd811189e5ea7d7d58aebda42ac1e4e263/jr_05853_52936767471_o.jpg" data-mid="183466912" border="0"  src="https://freight.cargo.site/w/1000/i/e0c8372b4a9fca9fefb75123836239cd811189e5ea7d7d58aebda42ac1e4e263/jr_05853_52936767471_o.jpg" /&#62;
&#60;img width="4608" height="3072" width_o="4608" height_o="3072" data-src="https://freight.cargo.site/t/original/i/1dcb2c74ad169c04c4f93ff4ccf56c5ee2de3514fbbd987d17d9b9120d8d465c/jr_05811_52936172642_o.jpg" data-mid="183466913" border="0"  src="https://freight.cargo.site/w/1000/i/1dcb2c74ad169c04c4f93ff4ccf56c5ee2de3514fbbd987d17d9b9120d8d465c/jr_05811_52936172642_o.jpg" /&#62;
&#60;img width="4608" height="3072" width_o="4608" height_o="3072" data-src="https://freight.cargo.site/t/original/i/3ff7c439867bc157cfd034f9883ce2ce2020dc7fb11cc0cba6caaffa994d0b14/jr_05778_52936923059_o.jpg" data-mid="183466915" border="0"  src="https://freight.cargo.site/w/1000/i/3ff7c439867bc157cfd034f9883ce2ce2020dc7fb11cc0cba6caaffa994d0b14/jr_05778_52936923059_o.jpg" /&#62;
&#60;img width="3334" height="2223" width_o="3334" height_o="2223" data-src="https://freight.cargo.site/t/original/i/99dc773b6fb6a721cbcb825b6a81a121624090a2859c8702633e9ae0a8f27fc3/jr_05879_52937160655_o.jpg" data-mid="183466929" border="0"  src="https://freight.cargo.site/w/1000/i/99dc773b6fb6a721cbcb825b6a81a121624090a2859c8702633e9ae0a8f27fc3/jr_05879_52937160655_o.jpg" /&#62;
Sensor data is obtained from outside the gallery, and it is used to drive an interactive composition that is transformed with an interface that resembles the Parapegmata and the smoking mirror to propose an alternative understanding of climate with contemporary technologies. In this sense, atmospheric processes are sensed within perceptual phenomena including wind direction, temperature, and electromagnetism.Perceiving our atmosphere from divination means to contemplate our surroundings in search of answers to these questions: is connecting ancient and modern worldviews a way to look into the future, or a way to reveal, what is invisible here in our present moment?

This work was produced at the RIXC Centre for New Media Culture with received funding for residential visits from the Nordic-Baltic Mobility Programme for Culture to establish project “RIXC Art Science Residencies”.

&#60;img width="660" height="270" width_o="660" height_o="270" data-src="https://freight.cargo.site/t/original/i/d4786e2d546dd4e292ce38c788d4a354875359ed7ffe8d4838931ecb6a6507c8/Screenshot-2023-08-01-at-15.06.jpeg" data-mid="186661333" border="0" data-scale="40" src="https://freight.cargo.site/w/660/i/d4786e2d546dd4e292ce38c788d4a354875359ed7ffe8d4838931ecb6a6507c8/Screenshot-2023-08-01-at-15.06.jpeg" /&#62;&#60;img width="1610" height="466" width_o="1610" height_o="466" data-src="https://freight.cargo.site/t/original/i/5dc3753545f6f90fe977b5616615cd9b4580737ac2c6c184be7925a551d44404/Screenshot-2023-08-01-at-15.08.jpeg" data-mid="186661334" border="0" data-scale="56" src="https://freight.cargo.site/w/1000/i/5dc3753545f6f90fe977b5616615cd9b4580737ac2c6c184be7925a551d44404/Screenshot-2023-08-01-at-15.08.jpeg" /&#62;
Credits: 
Light artist: Anton Filatov
3D Renderings: Rodrigo Cid Velasco</description>
		
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	<item>
		<title>Divinatory Interfaces</title>
				
		<link>https://juanduarteregino.com/Divinatory-Interfaces</link>

		<pubDate>Tue, 10 May 2022 08:33:20 +0000</pubDate>

		<dc:creator>Juan Duarte Regino</dc:creator>

		<guid isPermaLink="true">https://juanduarteregino.com/Divinatory-Interfaces</guid>

		<description>Divinatory Interfaces

Wind and electromagnetism are energies that expand through planetary scales. Divinatory Interfaces look into speculative sensing and sonic composition, by exploring the links between airflow and electromagnetism. 
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/f5968bc7073d6dff4b137ef37f28d9030cdee81306c7d1309f621af129713918/IMG_3795.jpg" data-mid="142146242" border="0"  src="https://freight.cargo.site/w/1000/i/f5968bc7073d6dff4b137ef37f28d9030cdee81306c7d1309f621af129713918/IMG_3795.jpg" /&#62;
Since ancient times, people have looked to the heavens for signs, and since birds fly, people perceive them as messengers of the gods or fates. Birds were used to divine the future, through their behavior: how they sing, how they fly, and how they eat. Augury is the art of interpreting birds as omens—has been around since before the ancient Romans. It has been practiced all around the world, countless cultures focused on wise birds who talk to the higher and deliver insight to humans.
&#60;img width="853" height="568" width_o="853" height_o="568" data-src="https://freight.cargo.site/t/original/i/80dcfa245b29297a2a952256bf11d901bb6bffd9b73ef6030c866fdc198e5df9/26A57A79-5A87-4DC6-A543-1607DEEF1906.JPG" data-mid="142145836" border="0"  src="https://freight.cargo.site/w/853/i/80dcfa245b29297a2a952256bf11d901bb6bffd9b73ef6030c866fdc198e5df9/26A57A79-5A87-4DC6-A543-1607DEEF1906.JPG" /&#62;
Our sensing and instrument setup resembles an Augury, by intentionally listening and observing birds, and obtaining a message from their orientation. We combine sensor data from the wind and electromagnetic signals to produce soundscapes. On one side, the wind is sensed using microphones and radio signals from a software-defined radio receiver. 
The instrument synthesizes a sort of bird singing, to emulate the act of augury. Playing the instrument can enable or disable data flow from what birds perceive, attuning the generative singing of these birds. The experience of using the instrument/interface should be one of modulating the singing of birds, to obtain a free interpretation specific soundscape.
&#60;img width="1440" height="967" width_o="1440" height_o="967" data-src="https://freight.cargo.site/t/original/i/ad7be79eac10266398c27309127c8625d5e923aaa70b6880a39edcc047d9220d/1505BC98-2FCD-45F1-B466-023AD92976AE.JPG" data-mid="142145835" border="0"  src="https://freight.cargo.site/w/1000/i/ad7be79eac10266398c27309127c8625d5e923aaa70b6880a39edcc047d9220d/1505BC98-2FCD-45F1-B466-023AD92976AE.JPG" /&#62;
The song of the talking wire, a painting by Henry Farny depicts a native American listening to the telegraph line. The image is an omen to the irreversible disappearance of the ancient world, its cosmology, and the animist conception of nature. Here technology is a landmark of wind and electromagnetism. The man in the painting listens, and the audience observes this interpretation mediated through culture and technology, an unanticipated clash of the ancient and modernity. Does sensing media provide only one way of interpretation, or is it open to other worlds? Is divination an approach to technology and media in a more diversified way?&#60;img width="1440" height="1800" width_o="1440" height_o="1800" data-src="https://freight.cargo.site/t/original/i/67a7bc0469903f3e58ed958c985904de4bec831d056fc5109505cf05c2e180de/9FC19C88-7D36-4047-9506-B47C8C04C879.JPG" data-mid="142145837" border="0"  src="https://freight.cargo.site/w/1000/i/67a7bc0469903f3e58ed958c985904de4bec831d056fc5109505cf05c2e180de/9FC19C88-7D36-4047-9506-B47C8C04C879.JPG" /&#62;
Project developed during Sentient Media (Medios Sintientes) - Medialab Matadero. Madrid 2022. In collaboration with Bettina Katja Lange, Lila Izquierdo, Pablo Bordons, Manuela Sancho Sánchez


</description>
		
	</item>
		
		
	<item>
		<title>I</title>
				
		<link>https://juanduarteregino.com/I</link>

		<pubDate>Tue, 17 Mar 2020 21:23:24 +0000</pubDate>

		<dc:creator>Juan Duarte Regino</dc:creator>

		<guid isPermaLink="true">https://juanduarteregino.com/I</guid>

		<description>“I”
&#60;img width="3360" height="2240" width_o="3360" height_o="2240" data-src="https://freight.cargo.site/t/original/i/cdb90898869cf9e648c53d88a777a039e0daed02a64b982343f188e10af99d10/4S5A1614.JPG" data-mid="126638031" border="0"  src="https://freight.cargo.site/w/1000/i/cdb90898869cf9e648c53d88a777a039e0daed02a64b982343f188e10af99d10/4S5A1614.JPG" /&#62;
&#60;img width="3360" height="2240" width_o="3360" height_o="2240" data-src="https://freight.cargo.site/t/original/i/0509121c7345931b159f79ba42e1ddbc9fd2a02949f95a8e7cc8f7d9028206f5/4S5A1620.JPG" data-mid="126638654" border="0"  src="https://freight.cargo.site/w/1000/i/0509121c7345931b159f79ba42e1ddbc9fd2a02949f95a8e7cc8f7d9028206f5/4S5A1620.JPG" /&#62;

Interface for sound spatialization in 8 output &#38;nbsp;/ 4 input channels, and sound synthesis using embedded computing systems. It takes multiple forms of use and interpretation for sound performance and installation.

Check the post at the Bela Blog


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</description>
		
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	<item>
		<title>Pulsar kite</title>
				
		<link>https://juanduarteregino.com/Pulsar-kite</link>

		<pubDate>Mon, 16 Jul 2012 23:21:29 +0000</pubDate>

		<dc:creator>Juan Duarte Regino</dc:creator>

		<guid isPermaLink="true">https://juanduarteregino.com/Pulsar-kite</guid>

		<description>Pulsar Kite

Pulsar Kite is an ongoing research intended to enquire into the playful practice of the kite flight by means of Sonic Augmentation. While it is a non competitive activity, a kite flight can be an activity of mere recreation without further purpose, although it can provide an opportunity to interpolate his potential outputs in the context of Generative Music. When an active user aims to control over unpredictable wind conditions, this physical interaction is transmitted to augment auditory, visual and haptic perception. 

 Pulsar Kite from Juan Duarte on Vimeo.

Pulsar Kite thesis available here
&#60;img width="5000" height="3548" width_o="5000" height_o="3548" data-src="https://freight.cargo.site/t/original/i/39e83190456e5c49ac6ff32c4f4892978673ae9b929cff55bbe7b51f63a2f8e8/Cover-defense_o.png" data-mid="24071618" border="0"  src="https://freight.cargo.site/w/1000/i/39e83190456e5c49ac6ff32c4f4892978673ae9b929cff55bbe7b51f63a2f8e8/Cover-defense_o.png" /&#62;

Pulsar Kite, aeolian instrument for computer music. Review in Neural Magazine.

&#60;img width="600" height="776" width_o="600" height_o="776" data-src="https://freight.cargo.site/t/original/i/8e29ff077a6cfd30ce6ecb17efacf2cf9714e1216025ae913c58fa95f7884cd5/Neural-52-page_12.jpg" data-mid="24071619" border="0"  src="https://freight.cargo.site/w/600/i/8e29ff077a6cfd30ce6ecb17efacf2cf9714e1216025ae913c58fa95f7884cd5/Neural-52-page_12.jpg" /&#62;

Project Description

Pulsar Kite was initially proposed as a way to enhance an existing object by means of electronic interaction. Thus, the inherent features of a kite were evaluated as playful interaction that comprises a higher environmental system of unpredictable behavior, that is to say, wind currents can be interpreted as a dynamic physical generator to trigger sonic events. Even though the most basic purpose of kite the game is to achieve a certain level of control over wind conditions, a diffuse abstraction of game become visible along his limits: to reach skillful control through undeterministic and self created chaos. More recently, humanities and new media theory have become fascinated with chaos theory, complexity theory, in resonance with Deleuzian- Bergsonian affect and Autopoiesis (Cull, Laura 2009). 

Therefore, as this research is situated in the diverse frame of New Media studies, it can imply a multidisciplinary approach that integrate artistic and scientific basis to debate complex experiences. For example we can consider the reading of Complex Systems theory as a review of non linear relations found in the the middle of natural phenomena and sonic augmentation. Consequently, the research suggest an experimental procedure towards the use of electronic media, in order to propose a set of sonic gestures for a performance distinguished by a naturally aleatoric behavior. Furthermore, the performance - game itself takes place in a contemplative situation that enables the understanding of one self enacting an event within a environment. This relation can be close related to the framework of Acoustic Ecology as it propose a sonic interaction with the environment.

Finally, the result of the experience aims to be enhance the single experience of the kite flight, by augmented sound interaction within open space. As an HCI this system is designed to register, process and output signal from a collection of data triggered by flying a kite. This data include speed, rotation and position, to process audio signal &#38;nbsp;in relation to an idle microphone input from the environment. Such a patchwork of information aims is to generate harmonious sound cues to support focus on control, in way to enable responsive feedback relation with user. 


&#60;img width="1000" height="561" width_o="1000" height_o="561" data-src="https://freight.cargo.site/t/original/i/80b0b0c26a3fc5193940c649ede19a60ab55da7f0a33b70bc3d21d714d009e23/DSC08011rez_o.jpg" data-mid="24071606" border="0"  src="https://freight.cargo.site/w/1000/i/80b0b0c26a3fc5193940c649ede19a60ab55da7f0a33b70bc3d21d714d009e23/DSC08011rez_o.jpg" /&#62;
&#60;img width="1000" height="561" width_o="1000" height_o="561" data-src="https://freight.cargo.site/t/original/i/b384e692356c8e73fd7af9b1d5aa2ed519850350e6c1c81adcfe2ba8f22d1e9d/DSC08012rez_o.jpg" data-mid="24071607" border="0"  src="https://freight.cargo.site/w/1000/i/b384e692356c8e73fd7af9b1d5aa2ed519850350e6c1c81adcfe2ba8f22d1e9d/DSC08012rez_o.jpg" /&#62;
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&#60;img width="960" height="720" width_o="960" height_o="720" data-src="https://freight.cargo.site/t/original/i/0e8964692a43dad01f4cb57129db7c5b0f63da8b94553238e84b94c6c8476fba/2012-03-30 18.17.29_o.jpg" data-mid="24071617" border="0"  src="https://freight.cargo.site/w/960/i/0e8964692a43dad01f4cb57129db7c5b0f63da8b94553238e84b94c6c8476fba/2012-03-30 18.17.29_o.jpg" /&#62;


The sound core it is built upon the principles of composition with granular and pulsar synthesis, developed by Curtis Roads, in collaboration with Alberto de Campo. 

Pulsar Kite continued his development during a Residences in  

1)Hair Art  Hailuoto, Oulu, Finland.

 Pulsar Kite Hailuoto Teaser from Juan Duarte Regino on Vimeo.

 Pulsar Kite in Hailuoto Pöllännokka from Juan Duarte Regino on Vimeo.

2) Center for Contemporary Art - Castle Ujazdowski


 Pulsar Kite - SoCCoS - CCA - Warsaw. Poland. from Juan Duarte Regino on Vimeo.

3) Institute of Advanced Media Arts and Sciences


It also was featured in the Inter-format Symposium 2014 "On Flux of Sand and Aquatic Ecosystems" in Nida Art Colony.


 Inter-format Symposium 2014 "On Flux of Sand and Aquatic Ecosystems" from Nida Art Colony on Vimeo.

Project supported by FONCA CONACYT, Aalto Media Lab, and Aalto Media Factory.</description>
		
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	<item>
		<title>Artefactos Eólicos</title>
				
		<link>https://juanduarteregino.com/Artefactos-Eolicos</link>

		<pubDate>Mon, 20 Feb 2017 19:04:30 +0000</pubDate>

		<dc:creator>Juan Duarte Regino</dc:creator>

		<guid isPermaLink="true">https://juanduarteregino.com/Artefactos-Eolicos</guid>

		<description>&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/7daa11cfcb16c48c6036dd5e197c7fc2067a70e9ddfaecff482de079f2931ea9/IMG_2217-2-copy.jpg" data-mid="77454229" border="0"  src="https://freight.cargo.site/w/1000/i/7daa11cfcb16c48c6036dd5e197c7fc2067a70e9ddfaecff482de079f2931ea9/IMG_2217-2-copy.jpg" /&#62;


&#60;img width="4592" height="2576" width_o="4592" height_o="2576" data-src="https://freight.cargo.site/t/original/i/c97ca5411adf87b7e25226e02fffee62a568a945181bba5e591cc4b0a343d590/DSC06922-copy.jpg" data-mid="77454506" border="0"  src="https://freight.cargo.site/w/1000/i/c97ca5411adf87b7e25226e02fffee62a568a945181bba5e591cc4b0a343d590/DSC06922-copy.jpg" /&#62;
Paper Link:

The Aeolian

Aeolian Artefacts takes conceptually as a reference an ancient instrument, known as the Aeolian Harp (cf. Kircher, A. ca 1650.), that was used as an object that enables sacred spaces, such as mountains and temples, to "have a voice" according to an automatic mechanism that played with strings and resonators by the aleatoric forces of wind. This artistic practice achieved the concretion of pioneer scientific advances in acoustics, music theory, and instrument invention to register natural phenomena. Recently, sound artists and experimental musicians, including Gordon Monahan and John Grzinich, worked with Aeolian Harps for sound installations to record ambient interactions of wind with string-to-building resonators, to activate spaces sonically, producing uncanny and "supernatural" recordings that blend wind forces and material and spatial qualities into a single sonic material.


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Aeolian Artefacts is a piece that brings to the audience an experience of Augmented Listening of the Wind, where subtle changes in an open-air environment drive generative soundscapes. Using wind sensitive systems to detect orientation and speed of the wind, and acoustic events that are registered and processed as a generative sound piece by a network of sensor networks. The experience of augmented listening is interested to perceive the changes in wind and temperature are detected and processed by electro-acoustic devices. The nodes used to perform the installation include transmission and reception devices that operate within an ecosystem of environmental and electromagnetic signals, articulated in an auto-generative way. Different dynamics of the wind are recognized as a phenomenon that encompasses the micro to the macro temporal structure. The resulting sound piece emphasizes the wind as a phenomenon disseminated and reconstructed by means of the electronic process and radio signals: that is manifested as a system of functions, which resembles the cycles of the climate in our planet.


Exhibición 2. Creación en movimiemto. FONCA. Centro Nacional de las Artes. San Luis Potosí, México.


Exhibición 3. Generate!* Festival 2017


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Project supported byr: 
FONCA. Jóvenes Creadores (Multimedia) 2016-2017. 
Pixelache Heslinki- Piknik Freq Ry
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		<title>Research Publications</title>
				
		<link>https://juanduarteregino.com/Research-Publications</link>

		<pubDate>Sun, 14 Apr 2024 09:11:32 +0000</pubDate>

		<dc:creator>Juan Duarte Regino</dc:creator>

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		<description>Publications


Atmospheric listening instruments: Art and science technologies for attuning to our natural environments.&#38;nbsp;Virtual Creativity (Journal) Volume 13 Number 2.
A hybrid listening across totems and talking wires. Acoustic Ecology Review. Vol. 1 No. 1 (2023): Proceedings of the 'Listening Pasts, Listening Futures' 2023 World Forum for Acoustic Ecology Conference.Atmospheric Attunement weather data sonification with ubiquitous sensor nodes. Proceedings of the&#38;nbsp;International Symposium on Ubiquitous Music.&#38;nbsp;AUGURY: an interface for generating soundscapes inspired by ancient divination.&#38;nbsp;Proceedings of the International Conference on New Interfaces for Musical Expression 2023.Computing atmospheric attunement and hybrid listening through Augury and Scrying. Xcoax 2023.&#38;nbsp;Conference on Computation, Communication, Aesthetics &#38;amp; X - Weimar, Germany.

CTM Festival · CTM 2018: Research Networking Day — Soundscapes In Turmoil


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