Juan Duarte Regino

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	<title>Juan Duarte Regino</title>
	<link>https://juanduarteregino.com</link>
	<description>Juan Duarte Regino</description>
	<pubDate>Wed, 04 Nov 2026 12:09:49 +0000</pubDate>
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		<title>Augury: Divinatory Interfaces</title>
				
		<link>https://juanduarteregino.com/Augury-Divinatory-Interfaces</link>

		<pubDate>Wed, 04 Nov 2026 12:09:49 +0000</pubDate>

		<dc:creator>Juan Duarte Regino</dc:creator>

		<guid isPermaLink="true">https://juanduarteregino.com/Augury-Divinatory-Interfaces</guid>

		<description>Augury Divinatory Interfaces Mo MuseumWork details&#60;img width="7074" height="5306" width_o="7074" height_o="5306" data-src="https://freight.cargo.site/t/original/i/5c1a99aef10e0380aefdf145a5ff34398d31a06a841698caf7f6d2b477603d38/2026_10_16_MO_artaitikra_hr_elaiela.archive-74.jpg" data-mid="253984280" border="0"  src="https://freight.cargo.site/w/1000/i/5c1a99aef10e0380aefdf145a5ff34398d31a06a841698caf7f6d2b477603d38/2026_10_16_MO_artaitikra_hr_elaiela.archive-74.jpg" /&#62;

Augury: Divinatory Interfaces, 2026 Interactive sound-and-light installation Live weather data, light, multichannel sound, surface transducers, touch-sensitive obsidian, canvases, Smoking Mirror, display

MO Museum, Vilnius, Lithuania Group exhibition How to Feel Real, co-presented with ZKM 8 October 2026 – August 2027

In collaboration with light artist Anton Filatov Produced with support from the Finnish Cultural Foundation (Suomen Kulttuurirahasto) and BEK – Bergen Centre for Electronic Arts

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Short description
Augury: Divinatory Interfaces treats the weather as an oracle. Live atmospheric data from Vilnius moves the installation through five states of light, sound and touch. Visitors lay their hands on obsidian, canvases and a Smoking Mirror to receive a reading of the present sky or a forecast of what is coming. Drawing on Roman and Etruscan augury and the Mesoamerican obsidian mirror of Tezcatlipoca, the work asks how we might listen to the atmosphere again, not to control it, but to attune to it.
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/9134b1fb0fda4f7569cd8bf533f2095c8bd39d5dac0ced9991c3d103cd9bb2d9/Augury-MoMuseum_Page-4.png" data-mid="253984293" border="0"  src="https://freight.cargo.site/w/1000/i/9134b1fb0fda4f7569cd8bf533f2095c8bd39d5dac0ced9991c3d103cd9bb2d9/Augury-MoMuseum_Page-4.png" /&#62;

About the work
For most of human history, reading the sky was a way of knowing. Roman and Etruscan augurs watched the flight of birds, the direction of wind and the sudden turn of weather to interpret what the gods intended. In Mesoamerica, polished obsidian mirrors associated with Tezcatlipoca, the "Smoking Mirror", were surfaces through which hidden forces could be seen. In both traditions, attention to the atmosphere was a practice, a form of listening.

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Today the sky is measured continuously. Satellites, stations and models produce a constant stream of numbers that predict the weather with growing precision, yet we rarely feel it. Augury: Divinatory Interfaces sits in this gap between data and sensation. It takes live meteorological data for Vilnius and turns it back into something that can be heard, seen and touched.

&#60;img width="1073" height="1351" width_o="1073" height_o="1351" data-src="https://freight.cargo.site/t/original/i/0ac4fb944aceb4f08a9c02aaa01dbbd9e25021c7ba08faa4a584995ac484434f/Augury-MoMuseum_Page-18.png" data-mid="253984301" border="0"  src="https://freight.cargo.site/w/1000/i/0ac4fb944aceb4f08a9c02aaa01dbbd9e25021c7ba08faa4a584995ac484434f/Augury-MoMuseum_Page-18.png" /&#62;
The installation does not illustrate the weather; it interprets it. Wind, humidity, pressure and cloud cover are translated into shifting atmospheres of light and sound, and into oracle-like readings that answer the visitor's touch. Data becomes an omen. The interface becomes a ritual object.

The work belongs to my practice-based doctoral research at Aalto University on weather attunement, atmospheric listening and divinatory interfaces. It asks what it would mean to approach climate and weather not only through prediction and control, but through attention, intuition and care.


Experiencing the installation
The installation is never the same twice. Every few minutes it reads the current weather over Vilnius and settles into one of five atmospheric states:
Clear — open, still and luminous; light breathes slowly and sound is spacious.Building — pressure gathers; tones thicken and light grows denser.Dissipate — tension releases; textures thin out and fade.Fog — the room softens and blurs; sound becomes muffled and close.Turbulent — wind and instability; light flickers and sound moves restlessly through the space.
Around the room, visitors find points of contact:
Obsidian podiums — touching the volcanic glass triggers a reading of the present atmospheric state, answered in light and sound.Canvases — an aeolian harp and a tubo cochleato (spiral tube) act as resonant surfaces, turning touch and vibration into sound.The Smoking Mirror — an obsidian mirror that responds to touch with a forecast, a reading of what the sky is about to do.Light composition — tubes on the walls and on a diagonal pole element, developed with light artist Anton Filatov, carry the changing atmosphere through the room.
Over the eleven months of the exhibition, the work moves with the seasons of Vilnius, from autumn fog to winter storms to summer light. Each visitor adds their own sounds and questions, so the piece keeps unfolding as long as it is open.

Technical description
The work runs autonomously for the full exhibition, driven by a live weather feed and maintained remotely.
Data: live Open-Meteo forecast and current conditions for Vilnius, processed by a Python pipeline that classifies the sky into five states.Sound: a generative composition running on a Mac mini M4 through a MOTU UltraLite MK5 interface, with surface transducer speakers turning objects into resonating bodies.Light: eight LED tubes (four wall-mounted, four on a diagonal pole element), controlled via WLED and Art-Net, with light composition in Resolume Arena.Touch: capacitive electrodes in the obsidian podiums, canvases and the Smoking Mirror.Visuals and text: the Anemograph, a portrait-format display with GLSL shaders and a text oracle drawing from a bank of verses written for each atmospheric state.Fabrication: laser-cut acrylic, 3D-printed mounts and custom podiums.Remote care: networked monitoring allows the work to be checked and adjusted from abroad throughout the exhibition.

Process
Augury was developed over a summer of travel between residencies and workshops, following the weather from city to city.
Riga, June 2026 — at Baltic Analog Lab, the light circuits were designed, surface transducer speakers tested and the first sketches of the sound composition made.Berlin, July–August 2026 — fabrication: laser-cut acrylic, LED spots for the podiums, cabling and stress-testing of the lights, and the light composition developed with Anton Filatov alongside the sound sketch.Helsinki, August 2026 — the canvases were prepared and sent from Aalto University to Vilnius.Bergen, September 2026 — a residency at BEK to finalise the sound composition, the Anemograph, the data pipeline and the interaction design.Vilnius, October 2026 — an intense install week at MO Museum, made possible by the museum's staff, before the opening on 8 October.

Media captions
Use these under each photo, video and sound file; replace the bracketed parts.

Photos
Augury: Divinatory Interfaces, 2026. Installation view, How to Feel Real, MO Museum, Vilnius. Photo: Domas Rimeika.Augury: Divinatory Interfaces, 2026. Installation view, How to Feel Real, MO Museum, Vilnius. Photo: Laurynas Skeisgiela.Juan Duarte Regino with Augury: Divinatory Interfaces, MO Museum, Vilnius, 2026. Photo: [Domas Rimeika / Laurynas Skeisgiela].Detail: obsidian podium. Photo: [name].Detail: the Smoking Mirror. Photo: [name].
Video
Augury: Divinatory Interfaces — installation documentation, MO Museum, Vilnius, 2026. [Duration]. Video: [name].Install week at MO Museum, October 2026. Process footage.
Sound
Atmospheric state recordings: Clear, Building, Dissipate, Fog, Turbulent. Excerpts from the generative composition, recorded [date/place]. Best heard on headphones.Visitor interaction: touch on the obsidian podium and the canvases, recorded in the exhibition space.

CreditsRoleNameConcept, sound, interaction, softwareJuan Duarte Regino (Finland/Mexico)Light collaborationAnton FilatovExhibitionHow to Feel Real, MO Museum, Vilnius, co-presented with ZKMProduction supportFinnish Cultural Foundation (Suomen Kulttuurirahasto); BEK – Bergen Centre for Electronic ArtsResidenciesBaltic Analog Lab, Riga; BEK, BergenPhotographyDomas Rimeika, Laurynas Skeisgiela
Thanks to the MO Museum team for their support during installation.
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	<item>
		<title>Weather Attunement</title>
				
		<link>https://juanduarteregino.com/Weather-Attunement</link>

		<pubDate>Tue, 01 Sep 2026 09:55:40 +0000</pubDate>

		<dc:creator>Juan Duarte Regino</dc:creator>

		<guid isPermaLink="true">https://juanduarteregino.com/Weather-Attunement</guid>

		<description>Weather Attunement and Atmospheric Listening - Documentation.In this page I collected all videos and sounds related to the artistic component of my Doctoral thesis.Augury: Hyrbrid Listening and Atmospheric Attunement (RIXC gallery, 2023)


Augury: Resonant Atmospheres (Klaipeda Culture Communication Centre, 2024)


Smoking Mirror


Resonant Wind


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		<title>SmokingMirror</title>
				
		<link>https://juanduarteregino.com/SmokingMirror</link>

		<pubDate>Fri, 20 Mar 2026 11:07:41 +0000</pubDate>

		<dc:creator>Juan Duarte Regino</dc:creator>

		<guid isPermaLink="true">https://juanduarteregino.com/SmokingMirror</guid>

		<description>Smoking Mirror

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Smoking Mirror (Tezcatlipoca) is a media performance that explores the relationship between weather data and divinatory rituals, drawing inspiration from weather mythology of Aztec culture. At its heart, the performance explores how ancient practices of interpreting atmospheric phenomena can&#38;nbsp;be reimagined through contemporary technology, creating a bridge between the past and the present. By incorporating obsidian elements and copper traces as tangible and interactive materials, the presentation transforms real-time weather dynamics into immersive, multi-sensory soundscapes.

Presented in Work in Progress (Mexico City), Pact Zollverein (Essen), Umede (Vilnius), Pixxelpoint (Nova Gorica), BEK (Bergen), Aani Aalto (Helsinki).
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		<title>Resonant Wind</title>
				
		<link>https://juanduarteregino.com/Resonant-Wind</link>

		<pubDate>Mon, 23 Jun 2025 14:15:46 +0000</pubDate>

		<dc:creator>Juan Duarte Regino</dc:creator>

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		<description>Interactive Sound Installation&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/ff7e13d5d8a5036a7e6f1be32bd791401cde86f831a7c29f971e549598327321/20250602_makslinieku_ekspedicija_096.jpg" data-mid="235005519" border="0"  src="https://freight.cargo.site/w/1000/i/ff7e13d5d8a5036a7e6f1be32bd791401cde86f831a7c29f971e549598327321/20250602_makslinieku_ekspedicija_096.jpg" /&#62;
This solar-powered, autonomous sound device is designed to enter into dialogue with the shifting windscapes of Karosta Beach. At its heart is an anemometer—a rotating helix traditionally used to measure wind speed—which becomes both sensor and instrument. Connected to a microcontroller, it translates the invisible dynamics of the wind into evolving sonic frequencies. These sounds blend with the ambient rhythms of the site, composing a living score that shifts with the weather and time of day. Rather than imposing upon the landscape, the device seeks to resonate with it, attuning itself to the presence of space, the atmospheric flux, and the more-than-human life that inhabits the coast. It is not merely a tool for measurement, but a poetic interface between environment and machine, wind and waveform.

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</description>
		
	</item>
		
		
	<item>
		<title>Research Publications</title>
				
		<link>https://juanduarteregino.com/Research-Publications</link>

		<pubDate>Sun, 14 Apr 2024 09:11:32 +0000</pubDate>

		<dc:creator>Juan Duarte Regino</dc:creator>

		<guid isPermaLink="true">https://juanduarteregino.com/Research-Publications</guid>

		<description>Publications


Published Articles“Divinatory Interfaces: As Expanded Sentience.” In The New Sentient and Spectrums. UCP Press. https://doi.org/10.34632/9789725411995_3.Duarte Juan, and Sebastián Lomelí Bravo. “Environmental Attunement as a Strategy for Ecological Engagement.” Paper presented at Politics of the Machines: Lifelikeness &#38;amp; beyond, Aachen 2024. https://doi.org/10.14236/ewic/POM24.38.
“Sintonizar con la voz del clima.” Sonic Ideas, The Sounds of Nature, The Sounds of Nature (32): 44–51. Editor: Claudia Arozqueta.&#38;nbsp;www.cmmas.com/en/ideassonicas32/ideassonicas%2Fsonicideas-23

Atmospheric listening instruments: Art and science technologies for attuning to our natural environments.&#38;nbsp;Virtual Creativity (Journal) Volume 13 Number 2.
A hybrid listening across totems and talking wires. Acoustic Ecology Review. Vol. 1 No. 1 (2023): Proceedings of the 'Listening Pasts, Listening Futures' 2023 World Forum for Acoustic Ecology Conference.
Atmospheric Attunement weather data sonification with ubiquitous sensor nodes. Proceedings of the&#38;nbsp;International Symposium on Ubiquitous Music.
&#38;nbsp;AUGURY: an interface for generating soundscapes inspired by ancient divination.&#38;nbsp;Proceedings of the International Conference on New Interfaces for Musical Expression 2023.
Computing atmospheric attunement and hybrid listening through Augury and Scrying. Xcoax 2023.&#38;nbsp;Conference on Computation, Communication, Aesthetics &#38;amp; X - Weimar, Germany.

Podcasts


CTM Festival · CTM 2018: Research Networking Day — Soundscapes In Turmoil


Talks
(English)


(Español)


</description>
		
	</item>
		
		
	<item>
		<title>Anemograph</title>
				
		<link>https://juanduarteregino.com/Anemograph</link>

		<pubDate>Wed, 25 Jun 2025 08:25:29 +0000</pubDate>

		<dc:creator>Juan Duarte Regino</dc:creator>

		<guid isPermaLink="true">https://juanduarteregino.com/Anemograph</guid>

		<description>

As part of a live performance, I use weather data to create audiovisual representations that lead to an attunement to the environment through sensorial explorations that combine different atmospheric dynamics from the site where the performance takes place.

&#60;img width="905" height="506" width_o="905" height_o="506" data-src="https://freight.cargo.site/t/original/i/2348ec8023fc9ec7fc7c93851c786984b12f31303703db781c949979726db0dd/Screenshot-2025-05-25-at-9.08.07p.m..png" data-mid="235005784" border="0"  src="https://freight.cargo.site/w/905/i/2348ec8023fc9ec7fc7c93851c786984b12f31303703db781c949979726db0dd/Screenshot-2025-05-25-at-9.08.07p.m..png" /&#62;
&#60;img width="1917" height="1073" width_o="1917" height_o="1073" data-src="https://freight.cargo.site/t/original/i/c29f34f466813e6e87bd2fc768bd2a9252cf71c6887b92290f60df33e50827c3/Screenshot-2025-05-08-at-11.21.24a.m..png" data-mid="235005760" border="0"  src="https://freight.cargo.site/w/1000/i/c29f34f466813e6e87bd2fc768bd2a9252cf71c6887b92290f60df33e50827c3/Screenshot-2025-05-08-at-11.21.24a.m..png" /&#62;
&#60;img width="2240" height="1257" width_o="2240" height_o="1257" data-src="https://freight.cargo.site/t/original/i/73c5876e316b50b662723aefb214580929313dd6330a3874546eb065653c9330/Screenshot-2025-05-01-at-5.29.00p.m..png" data-mid="235005789" border="0"  src="https://freight.cargo.site/w/1000/i/73c5876e316b50b662723aefb214580929313dd6330a3874546eb065653c9330/Screenshot-2025-05-01-at-5.29.00p.m..png" /&#62;
&#60;img width="2225" height="1253" width_o="2225" height_o="1253" data-src="https://freight.cargo.site/t/original/i/3afaa6c97d7bc5fe21c0f457e1c563582ba0b8d232af2dc5fbb7f45a4bc6995d/Screenshot-2025-05-01-at-5.28.13p.m..png" data-mid="235005788" border="0"  src="https://freight.cargo.site/w/1000/i/3afaa6c97d7bc5fe21c0f457e1c563582ba0b8d232af2dc5fbb7f45a4bc6995d/Screenshot-2025-05-01-at-5.28.13p.m..png" /&#62;
&#60;img width="2560" height="1437" width_o="2560" height_o="1437" data-src="https://freight.cargo.site/t/original/i/9ab2e1da4546da52b0a123f75e6dc1a5f576602c6c0d034ff135e54418e03bd5/Screenshot-2025-05-01-at-4.46.31p.m..png" data-mid="235005787" border="0"  src="https://freight.cargo.site/w/1000/i/9ab2e1da4546da52b0a123f75e6dc1a5f576602c6c0d034ff135e54418e03bd5/Screenshot-2025-05-01-at-4.46.31p.m..png" /&#62;
&#60;img width="2555" height="1437" width_o="2555" height_o="1437" data-src="https://freight.cargo.site/t/original/i/80b26558f9d3410cff898b09160d2294539f6a2e7a88a7eca07aa8fad870f2e1/Screenshot-2025-05-01-at-4.43.19p.m..png" data-mid="235005786" border="0"  src="https://freight.cargo.site/w/1000/i/80b26558f9d3410cff898b09160d2294539f6a2e7a88a7eca07aa8fad870f2e1/Screenshot-2025-05-01-at-4.43.19p.m..png" /&#62;
&#60;img width="907" height="512" width_o="907" height_o="512" data-src="https://freight.cargo.site/t/original/i/67c4623c9e5bacdcbaff88bc0548853508b392d1692ce603b5ce2427e307903c/Screenshot-2025-05-25-at-9.11.14p.m..png" data-mid="235005785" border="0"  src="https://freight.cargo.site/w/907/i/67c4623c9e5bacdcbaff88bc0548853508b392d1692ce603b5ce2427e307903c/Screenshot-2025-05-25-at-9.11.14p.m..png" /&#62;

AaniAalto - Sound Art Festival. Helsinki, May 2025


&#60;img width="6128" height="4085" width_o="6128" height_o="4085" data-src="https://freight.cargo.site/t/original/i/74480818255183d74e6aa3a21a8b6648533f03dc8efadd809661307c1f483ed7/DSCF3519.jpg" data-mid="235005847" border="0"  src="https://freight.cargo.site/w/1000/i/74480818255183d74e6aa3a21a8b6648533f03dc8efadd809661307c1f483ed7/DSCF3519.jpg" /&#62;
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&#60;img width="6000" height="3376" width_o="6000" height_o="3376" data-src="https://freight.cargo.site/t/original/i/1f9aff21af6bbe80aeed045a895c464e192dd32981e793567edc97e80a13a651/Saturday2025_IvnaLundgren-58.jpg" data-mid="235005856" border="0"  src="https://freight.cargo.site/w/1000/i/1f9aff21af6bbe80aeed045a895c464e192dd32981e793567edc97e80a13a651/Saturday2025_IvnaLundgren-58.jpg" /&#62;

Ears to the Ground - BEK, Bergen 2025
&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/e6c463aec006bd9bfa32417e1742a7d39059d99ccee805e01b0fbdecfa46117c/Ears-to-the-ground-Juan-Duarte-Regino-13.jpg" data-mid="235005897" border="0"  src="https://freight.cargo.site/w/1000/i/e6c463aec006bd9bfa32417e1742a7d39059d99ccee805e01b0fbdecfa46117c/Ears-to-the-ground-Juan-Duarte-Regino-13.jpg" /&#62;
&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/528f241f547d7a24a0ccf14102f3a580f932fe02ec8f52582d562e9e05d82d31/Ears-to-the-ground-Juan-Duarte-Regino-12.jpg" data-mid="235005896" border="0"  src="https://freight.cargo.site/w/1000/i/528f241f547d7a24a0ccf14102f3a580f932fe02ec8f52582d562e9e05d82d31/Ears-to-the-ground-Juan-Duarte-Regino-12.jpg" /&#62;


&#60;img width="4160" height="6240" width_o="4160" height_o="6240" data-src="https://freight.cargo.site/t/original/i/7feb28714b2cbad87522aa3ba444917da0f295ddc9d91a15056df093b43b7743/DSCF3513.jpg" data-mid="235005845" border="0"  src="https://freight.cargo.site/w/1000/i/7feb28714b2cbad87522aa3ba444917da0f295ddc9d91a15056df093b43b7743/DSCF3513.jpg" /&#62;
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</description>
		
	</item>
		
		
	<item>
		<title>Resonant Atmospheres (Augury)</title>
				
		<link>https://juanduarteregino.com/Resonant-Atmospheres-Augury</link>

		<pubDate>Mon, 06 Jan 2025 10:25:21 +0000</pubDate>

		<dc:creator>Juan Duarte Regino</dc:creator>

		<guid isPermaLink="true">https://juanduarteregino.com/Resonant-Atmospheres-Augury</guid>

		<description>Resonant Atmospheres (Augury)

&#60;img width="6582" height="4388" width_o="6582" height_o="4388" data-src="https://freight.cargo.site/t/original/i/6b723382dabe2f0091aa6cf5cbba834d3fd6899dd9cfae0cb83a02f71149b85b/KKKC_spalio_11_large-2.jpg" data-mid="224207554" border="0"  src="https://freight.cargo.site/w/1000/i/6b723382dabe2f0091aa6cf5cbba834d3fd6899dd9cfae0cb83a02f71149b85b/KKKC_spalio_11_large-2.jpg" /&#62;
&#60;img width="6515" height="4343" width_o="6515" height_o="4343" data-src="https://freight.cargo.site/t/original/i/fe6e7e408abf5c95a138269d828de23377037d12c6cd24797ac92c9912315d91/KKKC_spalio_11_large-57.jpg" data-mid="224207560" border="0"  src="https://freight.cargo.site/w/1000/i/fe6e7e408abf5c95a138269d828de23377037d12c6cd24797ac92c9912315d91/KKKC_spalio_11_large-57.jpg" /&#62;
&#60;img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/d3f7c6b6565f2bd6315b21a844d33516ee1eefa5d5acc5755aa1eb402c94ed85/KKKC_spalio_11_large-25.jpg" data-mid="224207557" border="0"  src="https://freight.cargo.site/w/1000/i/d3f7c6b6565f2bd6315b21a844d33516ee1eefa5d5acc5755aa1eb402c94ed85/KKKC_spalio_11_large-25.jpg" /&#62;
&#60;img width="6529" height="4353" width_o="6529" height_o="4353" data-src="https://freight.cargo.site/t/original/i/5c18c0b1b0bb056e0f2e31627ff48f3b7ae64f9f1c1780e1d2aa8d5d34c9c71b/KKKC_spalio_11_large-1.jpg" data-mid="224207553" border="0"  src="https://freight.cargo.site/w/1000/i/5c18c0b1b0bb056e0f2e31627ff48f3b7ae64f9f1c1780e1d2aa8d5d34c9c71b/KKKC_spalio_11_large-1.jpg" /&#62;
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&#60;img width="6939" height="4626" width_o="6939" height_o="4626" data-src="https://freight.cargo.site/t/original/i/4e40b77af0d9500a3897af5dd4520a4ba2e4eb9e71565caddba257b52feaab54/KKKC_spalio_11_large-26.jpg" data-mid="224207558" border="0"  src="https://freight.cargo.site/w/1000/i/4e40b77af0d9500a3897af5dd4520a4ba2e4eb9e71565caddba257b52feaab54/KKKC_spalio_11_large-26.jpg" /&#62;
&#60;img width="6904" height="4603" width_o="6904" height_o="4603" data-src="https://freight.cargo.site/t/original/i/04c926c8ba86659ed7526876051fa805ce845f725b08bf7d2da0e71b7ce6c494/KKKC_spalio_11_large-56.jpg" data-mid="224207559" border="0"  src="https://freight.cargo.site/w/1000/i/04c926c8ba86659ed7526876051fa805ce845f725b08bf7d2da0e71b7ce6c494/KKKC_spalio_11_large-56.jpg" /&#62;
&#60;img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/9212861790ca8fb0700322029242435286e4873da279f04b7422750041e47aa8/KKKC_spalio_11_large-62.jpg" data-mid="224207561" border="0"  src="https://freight.cargo.site/w/1000/i/9212861790ca8fb0700322029242435286e4873da279f04b7422750041e47aa8/KKKC_spalio_11_large-62.jpg" /&#62;
Presented at the Klaipeda Culture Communication Centre
This installation delves into the interplay between environmental sensor stations and the ancient divinatory practice of Augury, where the behavior of birds was closely observed to predict seasonal changes. Inspired by this tradition, the installation employs cutting-edge sensor technology to create soundscapes that resonate with the atmosphere, translating data and signals from the surrounding weather into immersive auditory experiences. Using meteorological sensors as instruments, the installation captures the subtle dynamics of wind motion, air pressure, and light, crafting sound and light compositions that transcend the limits of human perception and deepen our connection to the natural environment.


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This exhibition was supported by Taike Arts Promotion Centre Finland, Frame Finland, Nordic Culture Point, and Culture Moves Europe.
Light Design: Anton Filatov

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</description>
		
	</item>
		
		
	<item>
		<title>Augury</title>
				
		<link>https://juanduarteregino.com/Augury</link>

		<pubDate>Tue, 27 Jun 2023 18:09:08 +0000</pubDate>

		<dc:creator>Juan Duarte Regino</dc:creator>

		<guid isPermaLink="true">https://juanduarteregino.com/Augury</guid>

		<description>

To sense atmospheric processes we can use our own body and technologies to translate their energies into human perception. This exhibition presents experiments with modern and ancient practices to sense and predict atmospheric processes, to perceive the intangible and contingent properties of the surrounding air.

&#60;img width="4274" height="2849" width_o="4274" height_o="2849" data-src="https://freight.cargo.site/t/original/i/c55032d5eacb4bd8deed42f79bb9a2300e05614cd9bdbccf678dc498ff659597/jr_05482_52937216313_o.jpg" data-mid="183466904" border="0"  src="https://freight.cargo.site/w/1000/i/c55032d5eacb4bd8deed42f79bb9a2300e05614cd9bdbccf678dc498ff659597/jr_05482_52937216313_o.jpg" /&#62;
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Augury is the name of an ancient practice of divination based on observing birds' behavior to predict future events and make decisions. Their agency as a species with airborne capacity has been regarded in the past as messengers from beyond. Augury is used as the title of this media installation, which is inspired by some ancient methods for sensing and predicting the weather.Hybrid Listening is a proposal to combine meteorological knowledge that reassures human sentience, and implement technical cognition systems for attuning and listening to our atmosphere. From ancient meteorology this exhibition looks into two cases of technologies for sensing and predicting atmospheric processes from a deep time perspective: The parapegmata and the obsidian mirror.

The parapegmata, an inscription surface to register and predict weather in relation to astronomical events, was used across ancient Greek-Roman cities to represent time cycles as sequences and combinatory events to forecast the weather. It was used to follow and guide the weather events, winds, festivals, appearances of birds, and the rising of rivers. In that sense, animal behavior and other natural phenomena were observed to indicate specific weather conditions linked to the movement of planets and stars.The obsidian stones and mirror correspond to the Aztec myth of Tezcatlipoca (which means “smoking mirror”) a deity who was associated with the wind, the unconscious, and the art of divination. Looking and touching this obsidian mirror and stones is a way to perceive what is beyond our human capacities. In this case, to extend our listening beyond our body and through the sensing networks implemented in this installation.
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Sensor data is obtained from outside the gallery, and it is used to drive an interactive composition that is transformed with an interface that resembles the Parapegmata and the smoking mirror to propose an alternative understanding of climate with contemporary technologies. In this sense, atmospheric processes are sensed within perceptual phenomena including wind direction, temperature, and electromagnetism.Perceiving our atmosphere from divination means to contemplate our surroundings in search of answers to these questions: is connecting ancient and modern worldviews a way to look into the future, or a way to reveal, what is invisible here in our present moment?

This work was produced at the RIXC Centre for New Media Culture with received funding for residential visits from the Nordic-Baltic Mobility Programme for Culture to establish project “RIXC Art Science Residencies”.

&#60;img width="660" height="270" width_o="660" height_o="270" data-src="https://freight.cargo.site/t/original/i/d4786e2d546dd4e292ce38c788d4a354875359ed7ffe8d4838931ecb6a6507c8/Screenshot-2023-08-01-at-15.06.jpeg" data-mid="186661333" border="0" data-scale="40" src="https://freight.cargo.site/w/660/i/d4786e2d546dd4e292ce38c788d4a354875359ed7ffe8d4838931ecb6a6507c8/Screenshot-2023-08-01-at-15.06.jpeg" /&#62;&#60;img width="1610" height="466" width_o="1610" height_o="466" data-src="https://freight.cargo.site/t/original/i/5dc3753545f6f90fe977b5616615cd9b4580737ac2c6c184be7925a551d44404/Screenshot-2023-08-01-at-15.08.jpeg" data-mid="186661334" border="0" data-scale="56" src="https://freight.cargo.site/w/1000/i/5dc3753545f6f90fe977b5616615cd9b4580737ac2c6c184be7925a551d44404/Screenshot-2023-08-01-at-15.08.jpeg" /&#62;
Credits: 
Light artist: Anton Filatov
3D Renderings: Rodrigo Cid Velasco</description>
		
	</item>
		
		
	<item>
		<title>Divinatory Interfaces</title>
				
		<link>https://juanduarteregino.com/Divinatory-Interfaces</link>

		<pubDate>Tue, 10 May 2022 08:33:20 +0000</pubDate>

		<dc:creator>Juan Duarte Regino</dc:creator>

		<guid isPermaLink="true">https://juanduarteregino.com/Divinatory-Interfaces</guid>

		<description>Divinatory Interfaces

Wind and electromagnetism are energies that expand through planetary scales. Divinatory Interfaces look into speculative sensing and sonic composition, by exploring the links between airflow and electromagnetism. 
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/f5968bc7073d6dff4b137ef37f28d9030cdee81306c7d1309f621af129713918/IMG_3795.jpg" data-mid="142146242" border="0"  src="https://freight.cargo.site/w/1000/i/f5968bc7073d6dff4b137ef37f28d9030cdee81306c7d1309f621af129713918/IMG_3795.jpg" /&#62;
Since ancient times, people have looked to the heavens for signs, and since birds fly, people perceive them as messengers of the gods or fates. Birds were used to divine the future, through their behavior: how they sing, how they fly, and how they eat. Augury is the art of interpreting birds as omens—has been around since before the ancient Romans. It has been practiced all around the world, countless cultures focused on wise birds who talk to the higher and deliver insight to humans.
&#60;img width="853" height="568" width_o="853" height_o="568" data-src="https://freight.cargo.site/t/original/i/80dcfa245b29297a2a952256bf11d901bb6bffd9b73ef6030c866fdc198e5df9/26A57A79-5A87-4DC6-A543-1607DEEF1906.JPG" data-mid="142145836" border="0"  src="https://freight.cargo.site/w/853/i/80dcfa245b29297a2a952256bf11d901bb6bffd9b73ef6030c866fdc198e5df9/26A57A79-5A87-4DC6-A543-1607DEEF1906.JPG" /&#62;
Our sensing and instrument setup resembles an Augury, by intentionally listening and observing birds, and obtaining a message from their orientation. We combine sensor data from the wind and electromagnetic signals to produce soundscapes. On one side, the wind is sensed using microphones and radio signals from a software-defined radio receiver. 
The instrument synthesizes a sort of bird singing, to emulate the act of augury. Playing the instrument can enable or disable data flow from what birds perceive, attuning the generative singing of these birds. The experience of using the instrument/interface should be one of modulating the singing of birds, to obtain a free interpretation specific soundscape.
&#60;img width="1440" height="967" width_o="1440" height_o="967" data-src="https://freight.cargo.site/t/original/i/ad7be79eac10266398c27309127c8625d5e923aaa70b6880a39edcc047d9220d/1505BC98-2FCD-45F1-B466-023AD92976AE.JPG" data-mid="142145835" border="0"  src="https://freight.cargo.site/w/1000/i/ad7be79eac10266398c27309127c8625d5e923aaa70b6880a39edcc047d9220d/1505BC98-2FCD-45F1-B466-023AD92976AE.JPG" /&#62;
The song of the talking wire, a painting by Henry Farny depicts a native American listening to the telegraph line. The image is an omen to the irreversible disappearance of the ancient world, its cosmology, and the animist conception of nature. Here technology is a landmark of wind and electromagnetism. The man in the painting listens, and the audience observes this interpretation mediated through culture and technology, an unanticipated clash of the ancient and modernity. Does sensing media provide only one way of interpretation, or is it open to other worlds? Is divination an approach to technology and media in a more diversified way?&#60;img width="1440" height="1800" width_o="1440" height_o="1800" data-src="https://freight.cargo.site/t/original/i/67a7bc0469903f3e58ed958c985904de4bec831d056fc5109505cf05c2e180de/9FC19C88-7D36-4047-9506-B47C8C04C879.JPG" data-mid="142145837" border="0"  src="https://freight.cargo.site/w/1000/i/67a7bc0469903f3e58ed958c985904de4bec831d056fc5109505cf05c2e180de/9FC19C88-7D36-4047-9506-B47C8C04C879.JPG" /&#62;
Project developed during Sentient Media (Medios Sintientes) - Medialab Matadero. Madrid 2022. In collaboration with Bettina Katja Lange, Lila Izquierdo, Pablo Bordons, Manuela Sancho Sánchez


</description>
		
	</item>
		
		
	<item>
		<title>I</title>
				
		<link>https://juanduarteregino.com/I</link>

		<pubDate>Tue, 17 Mar 2020 21:23:24 +0000</pubDate>

		<dc:creator>Juan Duarte Regino</dc:creator>

		<guid isPermaLink="true">https://juanduarteregino.com/I</guid>

		<description>“I”
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Interface for sound spatialization in 8 output &#38;nbsp;/ 4 input channels, and sound synthesis using embedded computing systems. It takes multiple forms of use and interpretation for sound performance and installation.

Check the post at the Bela Blog


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